thisispaper: Collection N°1 by LA VAGUE

thisispaper:

Collection N°1 by LA VAGUE

Death / Hitchcock (by ultraculture)

oceph: urban hoes oceph on flickr

oceph:

urban hoes

oceph on flickr

(via tumblropenarts)

sfmoma: When Dutch photographer Rineke Dijkstra’s portraiture was first recognized in the mid-1990s, our culture was different. It was pre-social media, pre-24-hour news cycle, pre-Internet (at least, as we know it today). Dijkstra’s large-scale photographs of adolescents on beaches, made in several countries, were celebrated for the respect and empathy with which they treated young people at one of the most vulnerable stages in their lives.  Read more: Rineke Dijkstra: Seeing is Believing via Photo District News

sfmoma:

When Dutch photographer Rineke Dijkstra’s portraiture was first recognized in the mid-1990s, our culture was different. It was pre-social media, pre-24-hour news cycle, pre-Internet (at least, as we know it today). Dijkstra’s large-scale photographs of adolescents on beaches, made in several countries, were celebrated for the respect and empathy with which they treated young people at one of the most vulnerable stages in their lives.

 Read more: Rineke Dijkstra: Seeing is Believing via Photo District News

(via parti)

szymon: Jean-François Fourtou

szymon:

Jean-François Fourtou

szymon: plasticine artworks by Stefan Gross

szymon:

plasticine artworks by Stefan Gross

szymon: Carl Kleiner for Ikea

szymon:

Carl Kleiner for Ikea

szymon: Borabora, the Maldives, Haiti and the Bahamas, ask your pharmacist - by Kelvin Lumen

szymon:

Borabora, the Maldives, Haiti and the Bahamas, ask your pharmacist - by Kelvin Lumen

szymon: Mark Jenkins

szymon:

Mark Jenkins

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